Fender Stratocaster

If you are ready to leave your comfort zone, and head out on the Formula 1 track, this is the guitar for you!
We took a 7 lbs Fully Loaded Fender '57 Reissue Stratocaster Body and put on a Warmoth Maple neck with True Temperament Jumbo Frets.
Pick it up, Plug it in, Play in tune! It's JUST that simple!

The body is in very good condition. It was made in Japan in 2004, and found it's way to us through Stratosphere.

Everything else is brand spanking new.

This is what you get:

* Officially Fully Loaded Fender '57 Reissue Stratocaster
* Warmoth Fender Stratocaster Retrofit Neck with large TT Texas Headstock
* Nitrocellulose Lacquer Finish on neck and fingerboard
* 9" Fingerboard Radius
* 25,5" Scale Length
* Maple Fingerboard with black dot position inlays and side dots
* 22 True Temperament Jumbo Fret System
* 1 11/16" Nut width
* Gotoh Vintage Style Tuning Keys, 15:1 Nickel
* Truss Rod Adjustment at Head Stock
* Skunk Strip
* Sonic Research ST-200 Stomp Tuner
* Fender TSA Approved Hard Shell Case
* Two year warranty

If you are interested in the longer explanation about True Temperament, please read below:

What’s wrong with straight frets?

Standard
equal tempered fret spacing is calculated from one single piece of
information about the instrument – the scale length (the theoretical
speaking length of the open strings). A divisor constant is used to
determine the locations of the frets. The scale length divided by the
constant gives the position of the first fret. The remaining length
after subtracting the first fret, divided by the same constant, gives
the position of the second fret, and so on. The divisor used by all but a
vanishingly small percentage of modern guitar builders is 17.817152, a
figure arrived at by way of the logarithmic function “the 12th root of
2? (1.0594631). This results in precise mathematical fret spacing with
the 12th fret at the exact centre of the calculated scale length. If
the calculation is repeated for 24 frets, the distance from the 24th
fret to the theoretical bridge saddle position will be exactly
one-fourth of the calculated scale length. (The residual error is
ridiculously small, less than one ten thousandth of an inch on popular
guitar scales.) All very impressive. But this mathematical model is a
gross oversimplification. It ignores virtually every physical parameter
which governs the behaviour of vibrating strings, except one –
speaking length. Tension and mass are not even considered. The model
assumes an “ideal” or “perfect” string – one which only exists in
theory, not in the real world. It assumes, firstly, that the strings
have no stiffness. Secondly, it assumes that all strings behave
identically, regardless of their thickness, whether they are plain or
wound, and the material they are made of. Thirdly, it assumes zero
string height – and completely ignores what happens when the strings are
pressed down on the frets! The frequency of a vibrating string is
determined by three factors: the speaking length, its mass, and the
tension applied. All three of these factors are affected to varying
degrees when a string is pressed down on a fret. Along the neck, the
length and mass decrease by 50% per octave. Changing the length affects
the stiffness. The tension is affected by fretting the string, as the
string height is not zero. Pressing the string to the fret stretches
the string slightly, increasing the tension and thus sharpening the
notes produced. The strings themselves vary considerably in diameter and
construction (plain or wound), and thus react differently to being
fretted. One single adjustment per string at the bridge (“intonation”)
cannot possibly fully compensate for all these parameters at once, as
they all vary in different degrees on different strings. The only way
to fully compensate for all these parameters is to adjust each and
every string-to-fret contact point on the fingerboard separately, until
each and every note plays the target frequency exactly. This, which is
impossible on a guitar with traditional, one-piece, straight frets, is
exactly what we do with Dynamic Intonation™, and Curved Frets™.
Previous attempts at implementing non-standard temperaments on the
guitar, or of adding extra intervals, have relied on adding extra frets,
or splitting the frets into separate pieces. This makes it very
difficult, if not impossible, to employ modern rock and blues playing
techniques like stringbending. Our Curved Frets™ let you play the way
you are used to!
For more information about getting True Temperament installed on your
excisting guitar, please visit us at TT Texas Guitars Webpage.